Conductor Eun Sun Kim Kicks off Powerhouse 2019/20 Season
“Kim cultivated a rich, relaxed sound in the strings. Each phrase breathed, yet she also led with momentum, knowing just the right moment to push ahead.” The Korean maestra has just made important debuts in L.A. and Munich, as well as a hotly anticipated return to Cincinnati.
September 10, 2019
““A dynamic presence as she led, illuminating details of the score with clarity and expressive power. The finale, a towering passacaglia, unfolded with depth and the musicians responded with polished, refined playing.””
The Korean maestra began her 19/20 season with debuts with the LA Philharmonic and Symphonieorchester des Bayerischen Rundfunks, and a highly anticipated return to the Cincinnati Symphony Orchestra, with whom she became the first woman to conduct the prestigious May Festival in 2018.
Russell Thomas's 'Heroically Scaled' Otello 'Galvanizes The Drama' at Hollywood Bowl
“Out of the tumult tenor Russell Thomas, with all the strength of a commanding general, strode on stage and proclaimed, ‘Esultate!’ For the next three hours there was a great deal to rejoice about…” Russell Thomas joined the Los Angeles Philharmonic as the title character in Verdi’s iconic Otello.
July 20, 2018
““A compelling Otello... His tone was clarion without being imperious, more a wounded, vulnerable leader. It wasn’t Iago who poisoned him with false intimations of Desdemona’s infidelity so much as a society uncomfortable with, and condescending toward, an outsider.””
American tenor Russell Thomas gave Hollywood Bowl audiences "a great deal to rejoice about" in his Los Angeles Philharmonic appearance as the title character in Verdi's iconic Otello, under the baton of Gustavo Dudamel.
In the 2018/19 season, Thomas will sing his first fully staged performances of the role, first at Canadian Opera Company (April 26–May 26, 2019; tickets via COC) and immediately following at Deutsche Oper Berlin (June 8-20, 2019; tickets via DOB).
Read reviews:
“Out of the tumult tenor Russell Thomas, with all the strength of a commanding general, strode on stage and proclaimed, ‘Esultate!’ For the next three hours there was a great deal to rejoice about. Thomas began as a tower of strength then gradually shattered under the devilish manipulation of…Iago. Thomas is a formidable Otello. As an African American, he genuinely looks the part with an heroically-scaled tenor that more than once brought to mind the ringing tones of Plácido Domingo in his signature role… After the dulcet Tristan-esque duet that ends Act I, Thomas’s performance galvanized the drama. It was an all-in performance that conveyed the power and the emotionally conflicting elements that drive Otello to his doom.”
San Francisco Classical Voice
“Thomas’s entrance had ringing authority, immediately establishing Otello’s primacy. But there was no harshness; Thomas succeeded in keeping Otello a lyrical tenor role.”
Opera Wire
“Its quietly brooding, suspenseful moments get lost in the open air. Still, the cast did not let that cramp their style. In the title role Russell Thomas's tenor came across with its ear-delighting timbre intact…”
LA Observed
New Site Launched for American Tenor Russell Thomas
“A heroically shining tone of exceptional clarity and precision…” American tenor Russell Thomas will bring his signature elegance and intensity to the title characters in Verdi’s Otello, Donizetti’s Roberto Devereux, and Mozart’s La clemenza di Tito.
July 11, 2018
Verismo Communications announces the launch of a new website for American tenor Russell Thomas, who performs Verdi's iconic Otello with this Los Angeles Philharmonic at the Hollywood Bowl this month.
With a “heroically shining tone of exceptional clarity and precision” (Opera Magazine) and “gorgeously burnished power” (The New York Times), Thomas uses his signature elegance and intensity to create vivid character portrayals on the world’s most important stages.
The upcoming 2018/19 season features Mr. Thomas’s hotly anticipated stage debut as the title character in Otello, to be seen at the Canadian Opera Company after concert performances with the Los Angeles Philharmonic and Atlanta Symphony Orchestra. He sings Manrico in Il trovatore at the Bayerische Staatsoper and Lyric Opera of Chicago, makes his role debut as as the title character in Roberto Devereux at San Francisco Opera, and brings his celebrated Tito in La clemenza di Tito to Los Angeles Opera. On the concert stage, he joins the World Orchestra for Peace in Beethoven’s Symphony No. 9 at the BBC Proms, and performs Mahler’s Das Lied von der Erde with the Dallas Symphony Orchestra.