Posts tagged #Wagner

Barton on The Big Screen

“It’s hard to find adjectives superlative enough to describe her voice: huge and sumptuous, but with such broad possibilities of color that the singer can chill the blood with just a glint of steel in the tone. Lurching, heaving and writhing nonstop, she looked as if she might any moment explode out of sheer malevolence.” New York City audiences have another chance to experience Jamie Barton’s Jezibaba at the Met’s Summer HD Festival, and audiences around the world can see her Fricka in cinemas in 2018/19.

New Site Launched for American Tenor Russell Thomas

“A heroically shining tone of exceptional clarity and precision…” American tenor Russell Thomas will bring his signature elegance and intensity to the title characters in Verdi’s Otello, Donizetti’s Roberto Devereux, and Mozart’s La clemenza di Tito.

Jamie Barton's Fricka Has 'Vocal Balls of Steel'

“Wheedling, cajoling, commanding, she can play the kitten, gently twitting her husband’s nose, but in this relationship it is she who is determined to wear the palazzo pants. The voice is still creamy, but when the top notes fly, the audience are pinned to their seats.” Jamie Barton sings her first complete Ring cycle at San Francisco Opera.

New HeidiMelton.com Launch

"The Wagnerian voice we have been waiting for since Flagstad and Nilsson." This season, American dramatic soprano Heidi Melton sings Brünnhilde and Sieglinde in performances of Wagner's Ring Cycle at the New York Philharmonic, Dallas Symphony, and Badisches Staatstheater Karlsruhe.

Jamie Barton Is Stellar in HGO Götterdämmerung, World Still Goes Down in Flames

"An international phenom with that dazzlingly creamy voice and commanding stage presence. With power to spare, she soars over the lush orchestration...to penetrate the wrenching heart of her tale." Mezzo Jamie Barton returns to Houston for the final installment of Wagner's epic Ring cycle.

Amanda Majeski Returns to Glyndebourne

Amanda Majeski made the best Eva I have heard in years, true of pitch and pure of tone, comfortable in all reaches of the part and emotionally persuasive from beginning to end." Majeski returns to the rolling hills of Glyndebourne as Eva in Wagner's Die Meistersinger von Nürnberg.