Posts tagged #Verdi

Russell Thomas 'Imbues Otello with Vocal and Psychological Nuance'

“Otello requires a dramatic tenor with a wide vocal range, the power to cut through heavy orchestration, and the skill to make the long, declamatory passages sing – ideally, a voice that marries Wagnerian stamina and Italianate beauty. Russell Thomas is one of them.” The American tenor’s staged role debut as Otello is met with critical acclaim across North America.

Russell Tenor Is Opera News Magazine's May Cover Story

“Thomas is an engaging, easy conversationalist; he admits with a grin that he has ‘a lot of opinions,’ but they are impressively well argued and delivered without a trace of arrogance.” The American tenor has landed his first Opera News cover.

A 'Perfect Storm of Vocalism' by The 'Greatest Verdi Voices of Our Age'

“Lyric provided the finest, best matched group of lead singers that I can imagine singing today." Il trovatore at Lyric Opera of Chicago stars critically acclaimed mezzo Jamie Barton as Azucena and tenor Russell Thomas as Manrico.

A Mighty Voice in Opera Champions The Need for More Diversity

“I believe the way you diversify an audience is by diversifying the stage. But if there are not people backstage that are thinking diversity, you don’t have it.” Tenor Russell Thomas talks to the Chicago Sun-Times ahead of his appearance in Il trovatore.

Russell Thomas's 'Heroically Scaled' Otello 'Galvanizes The Drama' at Hollywood Bowl

“Out of the tumult tenor Russell Thomas, with all the strength of a commanding general, strode on stage and proclaimed, ‘Esultate!’ For the next three hours there was a great deal to rejoice about…” Russell Thomas joined the Los Angeles Philharmonic as the title character in Verdi’s iconic Otello.

New Site Launched for American Tenor Russell Thomas

“A heroically shining tone of exceptional clarity and precision…” American tenor Russell Thomas will bring his signature elegance and intensity to the title characters in Verdi’s Otello, Donizetti’s Roberto Devereux, and Mozart’s La clemenza di Tito.

Two Verismo Artists Profiled in Musical America

Over the past decade, Musical America has had an incredible knack for featuring "New Artists of the Month" who go on to big things. This month's follow-up on 25 of these still-rising stars includes conductor Christopher Allen and soprano Corinne Winters.

Corinne Winters Makes Australian Debut

“Winters glides, she soars with a magnificence of coloratura that is merely the theatrical expression of a wholly consistent characterisation, sometimes coolly self-possessed in the face of tightly controlled desire, sometimes enraptured, sometimes very convincingly at the edge of despair. This is a very contemporary Violetta – musically flawless but with a convincing and enshrouding self-possession…” Corinne Winters brings her signature role to Opera Australia in the beloved Elijah Moshinsky production of La traviata in Melbourne.

Corinne Winters Is 'On The Couch' With Australian Arts Review

"It’s easy to jump on the bandwagon, but daring to be oneself, especially when it means standing alone, is real bravery..." Ahead of her Opera Australia debut as Violetta in the beloved Moshinsky La traviata, Winters speaks with Australian Arts Review.

'Think You Hate Opera? Corinne Winters Wants To Change That'

"Opera changes people on a molecular level. The unamplified voice is a frequency that changes them. Maybe my particular frequency, my particular aesthetic, won't move everybody – but it could move someone." Corinne Winters speaks with Spectrum in Australia’s The Age newspaper.

Corinne Winters Featured in Limelight Magazine

“Beautiful tone draws people in, but primal emotion breaks hearts – an easy thing to forget after years of higher education and trying to ‘get it right.’” Ahead of her Opera Australia debut, Winters appears in Australia’s Limelight Magazine.

Role Leads to the Soul: Corinne Winters in Herald Sun

"There are times in life where there just isn't a question that it's the right next step to take. With opera and my husband it has felt like that – like I didn't have a choice. It's that strong of a pull." Corinne Winters speaks with the Herald Sun, ahead of her debut with Opera Australia as their La traviata in Melbourne.

Jamie Barton's Princess Eboli Is 'The Star of The Evening' in WNO Don Carlo

"Even in a cast as extraordinarily strong as this one, Barton rises above. Her "O don fatale" elicited one of those magical operatic moments where time stops..." Jamie Barton makes her American role debut as Princess Eboli in a new Tim Albery production in Washington, D.C.

Corinne Winters Digs Deep in New Daniel Kramer La Traviata

"No one could ask for more from the role: a Traviata who delivers glittering coloratura runs as well as intimate lyrical passages, extroverted self-expression, and bitterest pain with magnificent touching intensity.” Winters makes her Theater Basel debut as Violetta in a new co-production with English National Opera.

Corinne Winters Makes Debuts in Italy, England in Summer 2016

"Deliciously phrased, Winters' Alice is the real deal, soaring in ensemble, sighing in mock adoration..." After role and house debuts in Rome and Birmingham, Winters joins Bryn Terfel and the Welsh National Opera Orchestra in concert at the Henley Festival.