“Nothing could have prepared me for the focused intensity of Winters’ performance as Rachel…” Opera Vlaanderen’s recent run of Halévy’s La Juive is now available to view online via OperaVision.
“Miriam Khalil’s performance on this album shows her to be more than a singer: she is an elemental force.” Against the Grain Records releases a stunning new recording of Osvaldo Golijov’s Ayre by a soprano native to many of the cultural threads.
Musical America describes Yankovskaya as “friendly and fearsomely articulate" while the New York Festival of Song interviews Winters on self-care, favorite rep, and mentoring with Turn The Spotlight.
“Pianist Christopher Allen proved a thrilling collaborator, finding orchestral colors in his virtuosic playing.” Conductor Christopher Allen returned to his first love, the piano, to partner Patricia Racette in his Opera Philadelphia debut.
This season will take Verismo artists to stages and orchestra pits around the world, including those of the Metropolitan Opera, Carnegie Hall, Kennedy Center, Atlanta Symphony Orchestra, San Francisco Opera, Royal Opera House Covent Garden, Lyric Opera of Chicago, Los Angeles Opera, Canadian Opera Company, Opera Philadelphia, Deutsche Oper Berlin, Bayerische Staatsoper, and Amsterdam’s Concertgebouw.
“It’s hard to find adjectives superlative enough to describe her voice: huge and sumptuous, but with such broad possibilities of color that the singer can chill the blood with just a glint of steel in the tone. Lurching, heaving and writhing nonstop, she looked as if she might any moment explode out of sheer malevolence.” New York City audiences have another chance to experience Jamie Barton’s Jezibaba at the Met’s Summer HD Festival, and audiences around the world can see her Fricka in cinemas in 2018/19.
"Success for Mejía…has come easy, in part, because he can relate. Mejía is a musician himself, a pianist-composer who is known for connecting on a visceral and musical level with his songwriters.” Billboard Magazine talks with Jorge Mejia about bridging worlds, genres, and cultures.
Over the past decade, Musical America has had an incredible knack for featuring "New Artists of the Month" who go on to big things. This month's follow-up on 25 of these still-rising stars includes conductor Christopher Allen and soprano Corinne Winters.
“Wheedling, cajoling, commanding, she can play the kitten, gently twitting her husband’s nose, but in this relationship it is she who is determined to wear the palazzo pants. The voice is still creamy, but when the top notes fly, the audience are pinned to their seats.” Jamie Barton sings her first complete Ring cycle at San Francisco Opera.
"An instant classic...a rigorous and eclectic work." El Nuevo Herald reviews the sold-out launch concert of Jorge Mejia’s musical memoir.
"L'italiano è la lingua più bella del mondo!" Soprano Corinne Winters joined SBS Italian Radio to discuss her love for the Italian language and the juicy roles of the Italian operatic repertoire.
“Mezzo Jamie Barton, former HGO Studio Artist and conquering international singer, supplies heft, smoky velvet tone, and incomparable artistry…” Jamie Barton brings her Adalgisa to Houston Grand Opera’s Norma in Resilience Theater.
Mezzo Jamie Barton and costume designer Jessica Jahn appear on Houston Life, taking audiences behind the scenes of Houston Grand Opera's production of Norma in Resilience Theater.
“Winters glides, she soars with a magnificence of coloratura that is merely the theatrical expression of a wholly consistent characterisation, sometimes coolly self-possessed in the face of tightly controlled desire, sometimes enraptured, sometimes very convincingly at the edge of despair. This is a very contemporary Violetta – musically flawless but with a convincing and enshrouding self-possession…” Corinne Winters brings her signature role to Opera Australia in the beloved Elijah Moshinsky production of La traviata in Melbourne.
"It’s easy to jump on the bandwagon, but daring to be oneself, especially when it means standing alone, is real bravery..." Ahead of her Opera Australia debut as Violetta in the beloved Moshinsky La traviata, Winters speaks with Australian Arts Review.
"Opera changes people on a molecular level. The unamplified voice is a frequency that changes them. Maybe my particular frequency, my particular aesthetic, won't move everybody – but it could move someone." Corinne Winters speaks with Spectrum in Australia’s The Age newspaper.
“No one who has heard Jamie Barton in action is in any doubt about the American mezzo-soprano’s gifts. She boasts an expansive, robust vocal sound, tinged with richly varied colors, and she deploys it with a distinctive combination of heroic power and tender intimacy. So the splendors of her debut release don’t exactly come as a surprise. But that hardly diminishes the joy of listening to Barton’s expressive, full-throated performances.” Jamie Barton's debut solo album has won the Vocal Category of the 2018 BBC Music Magazine Awards.
“Beautiful tone draws people in, but primal emotion breaks hearts – an easy thing to forget after years of higher education and trying to ‘get it right.’” Ahead of her Opera Australia debut, Winters appears in Australia’s Limelight Magazine.
"Even in a cast as extraordinarily strong as this one, Barton rises above. Her "O don fatale" elicited one of those magical operatic moments where time stops..." Jamie Barton makes her American role debut as Princess Eboli in a new Tim Albery production in Washington, D.C.
"Some of the most beautiful recordings I have ever heard. Anyone who loves the human voice should own this." All Who Wander is up for a BBC Music Magazine Award in the Vocal category.