Posts tagged #American

Russell Tenor Is Opera News Magazine's May Cover Story

“Thomas is an engaging, easy conversationalist; he admits with a grin that he has ‘a lot of opinions,’ but they are impressively well argued and delivered without a trace of arrogance.” The American tenor has landed his first Opera News cover.

Burleigh Society Concert at Carnegie Hall Praised for Performance, Promise

“A stinging rebuke to still-active demeaning stereotypes that cast black people as sassy, loud, and unrefined.” The Harry T. Burleigh Society concert, featuring the Fisk Jubilee Singers, earned critical acclaim from the Log Journal.

Jamie Barton Subject of Opera Magazine's 'People' Feature

A complete singer with a once-in-a-generation voice, a born communicator, a deeply compassionate human being with so much to give to audiences – Jamie Barton is an artist whose time truly has come.” The American mezzo earns a six-page feature in the March 2019 issue of Opera.

Lidiya Yankovskaya Delivers 'Strong WNO Debut'

“Yankovskaya does a terrific job as a conductor of this score bringing out the many colors and styles of music with her thirteen musicians who prove game to the challenge.” Lidiya Yankovskaya makes her Washington National Opera debut leading the world premiere of Kamala Sankaram’s Taking Up Serpents.

Snakes on A Stage: Lidiya Yankovskaya in Washington Post

“What makes an American opera? Many of the support programs designed to promote new work create the somewhat amusing spectacle of American artists such as Kamala Sankaram, whose father is from South India, or the opera’s conductor, Lidiya Yankovskaya, whose family emigrated from Russia when she was 9, compressing themselves into someone else’s ‘American’ template.” Ahead of her house debut at Washington National Opera, the conductor spoke with Anne Midgette about the world premiere of Taking Up Serpents.

A 'Perfect Storm of Vocalism' by The 'Greatest Verdi Voices of Our Age'

“Lyric provided the finest, best matched group of lead singers that I can imagine singing today." Il trovatore at Lyric Opera of Chicago stars critically acclaimed mezzo Jamie Barton as Azucena and tenor Russell Thomas as Manrico.

Lidiya Yankovskaya Leads 'A Flexible And Richly Idiomatic' Iolanta

“Yankovskaya’s supple command of musical shape and dramatic continuity was never in doubt.” Chicago Opera Theater Music Director Lidiya Yankovskaya leads the Chicago premiere of Tchaikovsky’s final opera.

A Mighty Voice in Opera Champions The Need for More Diversity

“I believe the way you diversify an audience is by diversifying the stage. But if there are not people backstage that are thinking diversity, you don’t have it.” Tenor Russell Thomas talks to the Chicago Sun-Times ahead of his appearance in Il trovatore.

VerismoComm Welcomes Lidiya Yankovskaya to Roster

“One of the hottest young conductors forging a path in the world of opera today… Lidiya Yankovskaya is the future of opera.” As Music Director of Chicago Opera Theater, Lidiya is the only woman to hold that title in a multimillion-dollar opera company in the United States.

Jorge Mejia and An Open Book Nominated for Latin Grammy

Mejia’s “Prelude in F Major for Piano and Orchestra,” from his album An Open Book, was nominated for Best Classical Contemporary Composition.

Barton and Thomas Give 'Extraordinary Performances' in Roberto Devereux

“Barton set the tone with liquid phrasing and her signature burnished sound. With a pure, focused tenor sound, remarkably even from top to bottom, Thomas managed to convey both the nobility and anguish of the title character.” Mezzo Jamie Barton and tenor Russell Thomas make acclaimed role debuts as Sara and Roberto in San Francisco Opera’s production of Donizetti’s Roberto Devereux.

Kicking off The 2018/19 Season

This season will take Verismo artists to stages and orchestra pits around the world, including those of the Metropolitan Opera, Carnegie Hall, Kennedy Center, Atlanta Symphony Orchestra, San Francisco Opera, Royal Opera House Covent Garden, Lyric Opera of Chicago, Los Angeles Opera, Canadian Opera Company, Opera Philadelphia, Deutsche Oper Berlin, Bayerische Staatsoper, and Amsterdam’s Concertgebouw.

Barton on The Big Screen

“It’s hard to find adjectives superlative enough to describe her voice: huge and sumptuous, but with such broad possibilities of color that the singer can chill the blood with just a glint of steel in the tone. Lurching, heaving and writhing nonstop, she looked as if she might any moment explode out of sheer malevolence.” New York City audiences have another chance to experience Jamie Barton’s Jezibaba at the Met’s Summer HD Festival, and audiences around the world can see her Fricka in cinemas in 2018/19.

Russell Thomas's 'Heroically Scaled' Otello 'Galvanizes The Drama' at Hollywood Bowl

“Out of the tumult tenor Russell Thomas, with all the strength of a commanding general, strode on stage and proclaimed, ‘Esultate!’ For the next three hours there was a great deal to rejoice about…” Russell Thomas joined the Los Angeles Philharmonic as the title character in Verdi’s iconic Otello.

New Site Launched for American Tenor Russell Thomas

“A heroically shining tone of exceptional clarity and precision…” American tenor Russell Thomas will bring his signature elegance and intensity to the title characters in Verdi’s Otello, Donizetti’s Roberto Devereux, and Mozart’s La clemenza di Tito.

Jorge Mejia's Musical Memoir Featured in Billboard Magazine

"Success for Mejía…has come easy, in part, because he can relate. Mejía is a musician himself, a pianist-composer who is known for connecting on a visceral and musical level with his songwriters.” Billboard Magazine talks with Jorge Mejia about bridging worlds, genres, and cultures.

Jamie Barton's Fricka Has 'Vocal Balls of Steel'

“Wheedling, cajoling, commanding, she can play the kitten, gently twitting her husband’s nose, but in this relationship it is she who is determined to wear the palazzo pants. The voice is still creamy, but when the top notes fly, the audience are pinned to their seats.” Jamie Barton sings her first complete Ring cycle at San Francisco Opera.