“A festival suffused with purpose and ambition.” ResBods returns to Brooklyn’s Roulette Intermedium for its 7th annual festival this September 3-5, 2019. Featured artists include Kate Soper, Arooj Aftab, Anthony Roth Costanzo, and Charmaine Lee with guest artists Conrad Tao, Vijay Iyer, Wet Ink Ensemble, Ashley Bathgate.
"From Song Came Symphony" is 'A Wide-Ranging Night of African-American Music Served up with Fire And Feeling'
The Burleigh Society and Urban Playground Chamber Orchestra co-production “landed with earth-shattering force.”
“Otello requires a dramatic tenor with a wide vocal range, the power to cut through heavy orchestration, and the skill to make the long, declamatory passages sing – ideally, a voice that marries Wagnerian stamina and Italianate beauty. Russell Thomas is one of them.” The American tenor’s staged role debut as Otello is met with critical acclaim across North America.
“Organizers have sought to recognize creators who unflinchingly detailed Black experiences despite the risk of offending a powerful white establishment.” An All Arts preview examines the influence of Harry T. Burleigh on generations of African American classical musicians.
“Musical mastery that turns both this massed ensemble and superb orchestra, conducted by Lidiya Yankovskaya, into forces of nature in their own right.” The Chicago premiere of Heggie’s Moby-Dick is led by Music Director Lidiya Yankovskaya.
The American mezzo will be the featured performer in classical music’s biggest party.
“Thomas is an engaging, easy conversationalist; he admits with a grin that he has ‘a lot of opinions,’ but they are impressively well argued and delivered without a trace of arrogance.” The American tenor has landed his first Opera News cover.
“A stinging rebuke to still-active demeaning stereotypes that cast black people as sassy, loud, and unrefined.” The Harry T. Burleigh Society concert, featuring the Fisk Jubilee Singers, earned critical acclaim from the Log Journal.
“A complete singer with a once-in-a-generation voice, a born communicator, a deeply compassionate human being with so much to give to audiences – Jamie Barton is an artist whose time truly has come.” The American mezzo earns a six-page feature in the March 2019 issue of Opera.
“Yankovskaya does a terrific job as a conductor of this score bringing out the many colors and styles of music with her thirteen musicians who prove game to the challenge.” Lidiya Yankovskaya makes her Washington National Opera debut leading the world premiere of Kamala Sankaram’s Taking Up Serpents.
“What makes an American opera? Many of the support programs designed to promote new work create the somewhat amusing spectacle of American artists such as Kamala Sankaram, whose father is from South India, or the opera’s conductor, Lidiya Yankovskaya, whose family emigrated from Russia when she was 9, compressing themselves into someone else’s ‘American’ template.” Ahead of her house debut at Washington National Opera, the conductor spoke with Anne Midgette about the world premiere of Taking Up Serpents.
“Lyric provided the finest, best matched group of lead singers that I can imagine singing today." Il trovatore at Lyric Opera of Chicago stars critically acclaimed mezzo Jamie Barton as Azucena and tenor Russell Thomas as Manrico.
“Yankovskaya’s supple command of musical shape and dramatic continuity was never in doubt.” Chicago Opera Theater Music Director Lidiya Yankovskaya leads the Chicago premiere of Tchaikovsky’s final opera.
“I believe the way you diversify an audience is by diversifying the stage. But if there are not people backstage that are thinking diversity, you don’t have it.” Tenor Russell Thomas talks to the Chicago Sun-Times ahead of his appearance in Il trovatore.
“One of the hottest young conductors forging a path in the world of opera today… Lidiya Yankovskaya is the future of opera.” As Music Director of Chicago Opera Theater, Lidiya is the only woman to hold that title in a multimillion-dollar opera company in the United States.
Conductor Lidiya Yankovskaya led a concert that mixed Western and Indian classical music traditions at the United Nations in New York.
Mejia’s “Prelude in F Major for Piano and Orchestra,” from his album An Open Book, was nominated for Best Classical Contemporary Composition.
“Barton set the tone with liquid phrasing and her signature burnished sound. With a pure, focused tenor sound, remarkably even from top to bottom, Thomas managed to convey both the nobility and anguish of the title character.” Mezzo Jamie Barton and tenor Russell Thomas make acclaimed role debuts as Sara and Roberto in San Francisco Opera’s production of Donizetti’s Roberto Devereux.
This season will take Verismo artists to stages and orchestra pits around the world, including those of the Metropolitan Opera, Carnegie Hall, Kennedy Center, Atlanta Symphony Orchestra, San Francisco Opera, Royal Opera House Covent Garden, Lyric Opera of Chicago, Los Angeles Opera, Canadian Opera Company, Opera Philadelphia, Deutsche Oper Berlin, Bayerische Staatsoper, and Amsterdam’s Concertgebouw.
“It’s hard to find adjectives superlative enough to describe her voice: huge and sumptuous, but with such broad possibilities of color that the singer can chill the blood with just a glint of steel in the tone. Lurching, heaving and writhing nonstop, she looked as if she might any moment explode out of sheer malevolence.” New York City audiences have another chance to experience Jamie Barton’s Jezibaba at the Met’s Summer HD Festival, and audiences around the world can see her Fricka in cinemas in 2018/19.