“Winters, a slight but striking figure, excelled. She is an exquisitely expressive singer.” The Monteverdi Choir and Orchestras’ European tour of the Verdi Requiem wraps tonight at Amsterdam’s famed Concertgebouw.
“One of the hottest young conductors forging a path in the world of opera today… Lidiya Yankovskaya is the future of opera.” As Music Director of Chicago Opera Theater, Lidiya is the only woman to hold that title in a multimillion-dollar opera company in the United States.
Conductor Lidiya Yankovskaya led a concert that mixed Western and Indian classical music traditions at the United Nations in New York.
Soprano Corinne Winters will join the summer 2019 production of Bizet’s The Pearl Fishers.
“Pianist Christopher Allen proved a thrilling collaborator, finding orchestral colors in his virtuosic playing.” Conductor Christopher Allen returned to his first love, the piano, to partner Patricia Racette in his Opera Philadelphia debut.
Mejia’s “Prelude in F Major for Piano and Orchestra,” from his album An Open Book, was nominated for Best Classical Contemporary Composition.
“Barton set the tone with liquid phrasing and her signature burnished sound. With a pure, focused tenor sound, remarkably even from top to bottom, Thomas managed to convey both the nobility and anguish of the title character.” Mezzo Jamie Barton and tenor Russell Thomas make acclaimed role debuts as Sara and Roberto in San Francisco Opera’s production of Donizetti’s Roberto Devereux.
This season will take Verismo artists to stages and orchestra pits around the world, including those of the Metropolitan Opera, Carnegie Hall, Kennedy Center, Atlanta Symphony Orchestra, San Francisco Opera, Royal Opera House Covent Garden, Lyric Opera of Chicago, Los Angeles Opera, Canadian Opera Company, Opera Philadelphia, Deutsche Oper Berlin, Bayerische Staatsoper, and Amsterdam’s Concertgebouw.
Turn The Spotlight’s mission is to identify, nurture, and empower leaders, and in turn, illuminate the path to a more equitable future in the arts. The foundation was created to pair top-tier mentors with exceptional women, people of color, and other equity-seeking groups in the arts.
“It’s hard to find adjectives superlative enough to describe her voice: huge and sumptuous, but with such broad possibilities of color that the singer can chill the blood with just a glint of steel in the tone. Lurching, heaving and writhing nonstop, she looked as if she might any moment explode out of sheer malevolence.” New York City audiences have another chance to experience Jamie Barton’s Jezibaba at the Met’s Summer HD Festival, and audiences around the world can see her Fricka in cinemas in 2018/19.
“Out of the tumult tenor Russell Thomas, with all the strength of a commanding general, strode on stage and proclaimed, ‘Esultate!’ For the next three hours there was a great deal to rejoice about…” Russell Thomas joined the Los Angeles Philharmonic as the title character in Verdi’s iconic Otello.
“A heroically shining tone of exceptional clarity and precision…” American tenor Russell Thomas will bring his signature elegance and intensity to the title characters in Verdi’s Otello, Donizetti’s Roberto Devereux, and Mozart’s La clemenza di Tito.
"Success for Mejía…has come easy, in part, because he can relate. Mejía is a musician himself, a pianist-composer who is known for connecting on a visceral and musical level with his songwriters.” Billboard Magazine talks with Jorge Mejia about bridging worlds, genres, and cultures.
"Monumental and well-crafted…Craig Bohmler's Riders of the Purple Sage can now lay claim to a rightful place in the canon of works about the American West." WFMT's American Opera Series broadcast of Riders has been named a finalist in the New York Festivals Radio Awards.
Over the past decade, Musical America has had an incredible knack for featuring "New Artists of the Month" who go on to big things. This month's follow-up on 25 of these still-rising stars includes conductor Christopher Allen and soprano Corinne Winters.
“Wheedling, cajoling, commanding, she can play the kitten, gently twitting her husband’s nose, but in this relationship it is she who is determined to wear the palazzo pants. The voice is still creamy, but when the top notes fly, the audience are pinned to their seats.” Jamie Barton sings her first complete Ring cycle at San Francisco Opera.
"An instant classic...a rigorous and eclectic work." El Nuevo Herald reviews the sold-out launch concert of Jorge Mejia’s musical memoir.
"L'italiano è la lingua più bella del mondo!" Soprano Corinne Winters joined SBS Italian Radio to discuss her love for the Italian language and the juicy roles of the Italian operatic repertoire.
“He delves with ivory keys into intimacies that words can not reach.” Pianist and composer Jorge Mejia talks with the magazine about stories, music, and straddling worlds of genre.
Luis Hernandez interviews Jorge Mejia in a segment that also includes a reading and orchestral excerpts from this musical memoir.