Russell Tenor Is Opera News Magazine's May Cover Story

“Thomas is an engaging, easy conversationalist; he admits with a grin that he has ‘a lot of opinions,’ but they are impressively well argued and delivered without a trace of arrogance.” The American tenor has landed his first Opera News cover.

Burleigh Society Concert at Carnegie Hall Praised for Performance, Promise

“A stinging rebuke to still-active demeaning stereotypes that cast black people as sassy, loud, and unrefined.” The Harry T. Burleigh Society concert, featuring the Fisk Jubilee Singers, earned critical acclaim from the Log Journal.

Jamie Barton Subject of Opera Magazine's 'People' Feature

A complete singer with a once-in-a-generation voice, a born communicator, a deeply compassionate human being with so much to give to audiences – Jamie Barton is an artist whose time truly has come.” The American mezzo earns a six-page feature in the March 2019 issue of Opera.

Miriam Khalil's Debut Disc Nominated for Classical Album of the Year

“Khalil's performances offer an energy and understanding that make hers a new definitive interpretation of the work.” Ayre: Live, the debut release from Against the Grain Theatre’s new in-house recording label, has been nominated for a 2019 Juno Award for Classical Album of the Year, Vocal or Choral.

Lidiya Yankovskaya Delivers 'Strong WNO Debut'

“Yankovskaya does a terrific job as a conductor of this score bringing out the many colors and styles of music with her thirteen musicians who prove game to the challenge.” Lidiya Yankovskaya makes her Washington National Opera debut leading the world premiere of Kamala Sankaram’s Taking Up Serpents.

Corinne Winters Returns to Tucson for Latin-Themed Concerts

“Holtan is ecstatic about having this world-class soprano back in our midst. ‘She was such a huge hit when she was here last time, and when we reached out to her, she didn’t hesitate,’ he says.” Corinne Winters joins the Tucson Desert Song Festival for concerts, a recital, and a masterclass.

Snakes on A Stage: Lidiya Yankovskaya in Washington Post

“What makes an American opera? Many of the support programs designed to promote new work create the somewhat amusing spectacle of American artists such as Kamala Sankaram, whose father is from South India, or the opera’s conductor, Lidiya Yankovskaya, whose family emigrated from Russia when she was 9, compressing themselves into someone else’s ‘American’ template.” Ahead of her house debut at Washington National Opera, the conductor spoke with Anne Midgette about the world premiere of Taking Up Serpents.

'Gutsy, Political, and Hypnotising' Ayre Launches Against the Grain Records

“Miriam Khalil’s performance on this album shows her to be more than a singer: she is an elemental force.” Against the Grain Records releases a stunning new recording of Osvaldo Golijov’s Ayre by a soprano native to many of the cultural threads.

A 'Perfect Storm of Vocalism' by The 'Greatest Verdi Voices of Our Age'

“Lyric provided the finest, best matched group of lead singers that I can imagine singing today." Il trovatore at Lyric Opera of Chicago stars critically acclaimed mezzo Jamie Barton as Azucena and tenor Russell Thomas as Manrico.

Lidiya Yankovskaya Leads 'A Flexible And Richly Idiomatic' Iolanta

“Yankovskaya’s supple command of musical shape and dramatic continuity was never in doubt.” Chicago Opera Theater Music Director Lidiya Yankovskaya leads the Chicago premiere of Tchaikovsky’s final opera.

A Mighty Voice in Opera Champions The Need for More Diversity

“I believe the way you diversify an audience is by diversifying the stage. But if there are not people backstage that are thinking diversity, you don’t have it.” Tenor Russell Thomas talks to the Chicago Sun-Times ahead of his appearance in Il trovatore.

VerismoComm Welcomes Lidiya Yankovskaya to Roster

“One of the hottest young conductors forging a path in the world of opera today… Lidiya Yankovskaya is the future of opera.” As Music Director of Chicago Opera Theater, Lidiya is the only woman to hold that title in a multimillion-dollar opera company in the United States.

Christopher Allen Offers 'Artistic Salvation' in Ne Quittez Pas

“Pianist Christopher Allen proved a thrilling collaborator, finding orchestral colors in his virtuosic playing.” Conductor Christopher Allen returned to his first love, the piano, to partner Patricia Racette in his Opera Philadelphia debut.

Jorge Mejia and An Open Book Nominated for Latin Grammy

Mejia’s “Prelude in F Major for Piano and Orchestra,” from his album An Open Book, was nominated for Best Classical Contemporary Composition.